Women of Torvaldsland
I heard a woman sobbing with emotion to my right. "Praise the Priest-Kings," she repeated endlessly to herself, nodding her head up and down
Near her , bored, was a slender, blondish girl, looking about. He r hair was hung in a snood of scarlet yarn, bound with filaments of golden wire. She wore, over her shoulder, a cape of white fur of the northern sea sleen. She had a scarlet vest, embroidered in gold, worn over a long-sleeved blouse of white wool, from distant Ar. She wore, too, a log woollen skirt, dyed red, which was belted with black, with a buckle of gold, wrought in Cos. She wore shoes of black polished leather, which folded about her ankles, laced twice, once across the instep, once about the ankle.
She saw me regarding her with interest, and looked away. Marauders of Gor, page 25
I looked again upon the slender, blondish girl, bored in the crowd. Again she looked at me, and looked away. She was richly dressed. The cape of white fur was a splendid fur. The scarlet vest, the blouse of white wool, the long woollen skirt, red, were fine goods. The buckle from Cos was expensive. Even the shoes of black leather were finely tooled. I supposed her the daughter of a rich merchant. There were other good looking wenches, too, in the crowd, generally blond girls, as are most of the northern girls, many with braided hair. They were in festival finery. This was holiday in Kassau.  Marauders of Gor, page 34
I examined the younger women on the platform. None, it seemed to me, was as excellent as the slender blond girl in the cape of white sea-sleen fur and scarlet vest. One was, however, not without interest. She was a tall, statuesque girl, lofty and proud, grey-eyed. She wore black and silver, a full, ankle-length gown of rich, black velvet, with silver belts, or straps, that crossed over her breasts, and tied about her waist. From it, by strings, hung a silver purse, that seemed weighty. Her blond hair was lifted from the sides and back of her head by a comb of bone and leather, like an inverted isosceles triangle, the comb fastened by a tiny black ribbon about her neck and another such ribbon about her forehead. Her cloak, of black fur, , from the black sea sleen, glossy and deep, swirled to her ankles. It was fastened by a large circular brooch of silver, probably from Tharna. She was doubtless the daughter of a very rich man. Shewould have manysuitors. Marauders of Gor, page 35
"Go to the bond-maid circle," said IvarForkbeard, indicating the circle he had drawn in the dirt.
The women cried out in misery. To enter the circle, if one is a female, is, by the laws of Torvaldsland, to declare oneself a bond-maid. A woman, of course, need not to enter the circle of her own free will. She may, for example, be thrown within it, naked and bound. Howsoever she enters the circle, voluntarily, or by force, free or secured, she emerges from it, by the laws of Torvaldsland, as a bond-maid. Marauders of Gor, page 45, 45


Notes on Habiliment



Now, Helga was not a common women of the North, her father was the richest men known or very close to it, she didn’t need to go outside and walk in the mud and do chores like most common free women would.

She wore rich green velvet, closed high about her neck, trimmed with gold.

She took the next vial, which I had opened for her. “No,” she said, handing it back to me.

Her hair, long, was braided. It was tied with golden string. Marauders of Gor, page 112


Her hands wore many rings. About her neck she wore, looped, four chains of gold, with pendants. On her wrists were bracelets of silver and gold. Marauders of Gor, page 114


My assistant and I knelt before her, at her feet. She wore, beneath her green velvet, golden shoes. Marauders of Gor, page 115


A bad habit on Gor is to see free women coddling, petting, touching, hugging slaves and bond-maids. Free women simply do not like bond-maids, they are all that they hate, they deal with them impersonally and swiftly.

This is a wooden walkway, about five feet wide and one hundred feet long. On the walkway, back and forth, smiling, looking one way then the other, turning about, parade stripped bond-maids. They are not for sale, though many are sold from the platform. The platform is instituted for the pleasure of the free men. It is not unanalogous to the talmit competitions, though no talmit is awarded. There are judges, usually minor Jarls and slavers. No judge, incidentally, is female. No female is regarded as competent to judge a female’s beauty; only a man, it is said, can do that. Marauders of Gor, page 153


Hatred of slaves seems to be more pronounced in the free women of the North.

It can not be said enough, that northern woman even more then there southern sisters despise bond-maids, it is clearly mentioned that they are a thousand times above sultry bond-maids and all bond-maids we see are sensual and sexually open as soon there are no free women around. Free women will disregard this quote and not all the  quote is emboldened or in italics not to anger, but these are facts one should take into consideration.

Free women view the platform with stern disapproval; on it, female beauty is displayed for the inspection of men; this, for some reason, outrages them; perhaps they are furious because they cannot display their own beauty, or that they are not themselves as beautiful as women found fit, by lusty men with discerning eyes, for slavery; it is difficult to know what the truth is in such matters; these matters are further complicated, particularly in the north, by the conviction among free women that free women are above such things as sex, and that only low and loose girls, and slaves, are interested in such matters; free women of the north regard themselves as superior to sex; many are frigid, at least until carried off and collared; they often insist that, even when they have faces and figures that drive men wild, that it is their mind on which he must concentrate his attentions; some free men, to their misery, and the perhaps surprising irritation of the female, attempt to comply with this imperative; they are fools enough to believe what such women claim is the truth about themselves; they should listen instead to the dreams and fantasies of women, and recall, for their instruction, the responses of a free woman, once collared, squirming in the chains of a bond-maid. These teach us truths which many women dare not speak and which, by others, are denied, interestingly, with a most psychologically revealing hysteria and vehemence. “No woman,” it is said, “knows truly what she is until she has worn the collar.”  Some free women apparently fear sex because they feel it lowers the woman. This is quite correct. In few, if any, human relationships is there perfect equality. The subtle tensions of dominance and submission, universal in the animal world, remain ineradicably in our blood; they may be thwarted and frustrated but, thwarted and frustrated, they will remain. It is the nature of the male, among the mammals, to dominate, that of the female to submit. The fact that humans have minds does not cancel the truths of the blood, but permits their enrichment and enhancement, their expression in physical and psychological ecstasies far beyond the reach of simpler organisms; the female slave submits to her master in a thousand dimensions, in each of which she is his slave, in each of which he dominates her.

“Shameful!” cried the free woman.

In the lowering of the woman, of course, a common consequence of her helplessness in the arms of a powerful male, her surrenderings, her being forced to submit, she finds, incredibly to some perhaps, her freedom, her ecstasy, her fulfillment, her exaltation, her joy; in the Gorean mind this matter is simple; it is the nature of the female to submit; accordingly, it is natural that, when she is forced to acknowledge, accept, express and reveal this nature, that she should be almost deliriously joyful, and thankful, to her master; she has been taught her womanhood; no longer is she a sexless, competitive pseudoman; she is then, as she was not before, female; she then finds herself, perhaps for the first time, clearly differentiated from the male, and vulnerably, joyfully, complementary to him; she has, of course, no choice in this matter; it is not permitted her; collared, she submits; I know of no group of women as joyful, as spontaneous, as loving and vital, as healthy and beautiful, as excited, as free in their delights and emotions, as Gorean slave girls; it is true they must live under the will of men, and must fear them, and the lash of their whips, but, in spite of these things, they walk with a sensuous beauty and pride; they know themselves owned; but they wear their collars with a shameless audacity, a joy, an insolent pride that would scandalize and frighten the bored, depressed, frustrated women of Earth.

“I do not approve of the platform,” said the free woman, coldly.

Forkbeard did not respond to her, but regarded her with great deference.

“These females,” she said, indicating the Forkbeard’s girls, who knelt at her feet, their heads to the turf, “could be better employed on your farm, dunging fields and making butter.”

The habiliments of Bera again is that of a woman that is companioned to one of the richest man in Torvaldsland, by her clothing and accoutrements, it is easy to determine her status among others. The wool used for her kirtle is from Ar.

The free woman was a tall woman, large. She wore a great cape of fur, of white sea-sleen, thrown back to reveal the whiteness of her arms. Her kirtle was of the finest wool of Ar, dyed scarlet, with black trimmings. She wore two brooches, both carved of the horn of kailiauk, mounted in gold. At her waist she wore a jewelled scabbard, protruding from which I saw the ornamented, twisted blade of a Turian dagger; free women in Torvaldsland commonly carry a knife; at her belt, too, hung her scissors, and a ring of many keys, indicating that her hall contained many chests or doors;  her hair was worn high, wrapped about a comb, matching the brooches, of the horn of kailiauk; the fact that her hair was worn dressed indicated that she stood in companionship; the number of keys, together with the scissors, indicated that she was mistress of a great house. She had gray eyes; her hair was dark; her face was cold, and harsh. Marauders of Gor, page 154 to 156



Near him, beside the high seat, sat his woman, Bera, her hair worn high on her head, in a kirtle of yellow wool with scarlet cape of the fur of the red sea sleen, and, about her neck, necklaces of gold. Marauders of Gor, page 194